How to sell in the largest country in Latin America

A practical guide to entering Brazil: where people actually buy, how they pay, what content works, and the mistakes that cost foreign brands their first year.

Playbook8 min readUpdated 2 September 2026
Creator photographing a product with a phone next to a window, preparing content for an online store.

Brazil is roughly the size of the continental United States, holds over 200 million people, and sits mostly outside the mental map of brands that expand from North America or Europe. It is usually approached as part of a Latin America plan, which is the first mistake, because Brazil is not part of Latin America in any way that matters operationally. It is its own market, with its own language, its own payment rails and its own retail habits.

This is a practical guide to what actually differs, written for a team that has sold successfully somewhere else and is deciding whether Brazil is worth the effort.

Start with the language, because everything else depends on it

Brazil speaks Portuguese. Not Spanish. Not a dialect of Spanish. A different language, and the only Portuguese-speaking country in the Americas.

The practical consequence is that a Latin America strategy built on Spanish-language assets covers every market in the region except the largest one. Teams discover this late, usually after a quarter of underperformance that gets blamed on price or on the platform.

Where Brazilians actually buy

Brazil has the largest and most developed online retail ecosystem in the region, and it is more concentrated in marketplaces than most foreign teams expect. A direct-to-consumer store can work, but for many categories the marketplaces are not a channel, they are the market.

  • Mercado Livre, the regional giant, where product listings live or die on photography and video.
  • Shopee, aggressive on price and heavily driven by short video.
  • Amazon, present and growing, with the listing conventions you already know.
  • Instagram and TikTok as places where the purchase actually starts, not merely where awareness happens.
  • WhatsApp, which foreign teams consistently underestimate: it is a sales channel in Brazil, with catalogues and direct conversation.

That last one is worth sitting with. In much of the world, a customer messaging a brand directly to buy is an edge case. In Brazil it is ordinary. Any plan that treats messaging as support rather than as commerce is leaving revenue on the table.

What converts, and what gets skipped

Brazilian feeds move quickly and reward content that does not look like advertising. The video that performs is usually someone holding the product in a real room, talking the way they would talk to a friend. The video that gets skipped is the one that looks expensive.

  1. 1

    Film in Portuguese, with someone who lives there

    Not a translation, not a voiceover. People read the room in a video: the kitchen, the street, the accent, the way somebody holds a phone. That cannot be added in post.

  2. 2

    Produce for volume, not for perfection

    Paid social consumes creative faster than any studio can supply it. Ten decent videos beat one polished one, and the winner is usually not the one you would have chosen.

  3. 3

    Make the product do the talking

    Demonstration outperforms description. Show it being opened, used, worn, cooked with. The claim lands when the viewer watches it happen.

  4. 4

    Settle usage rights before filming

    If you intend to run the video as a paid ad, that has to be agreed up front and in writing. Discovering afterwards that you cannot use your best performer is an avoidable and expensive surprise.

The mistakes that cost the first year

  • Treating Brazil as a Spanish-speaking market. This one is fatal and common.
  • Running translated creative and concluding that the market does not want the product.
  • Ignoring marketplaces because the direct store works elsewhere.
  • Treating WhatsApp as customer support rather than as a place people buy.
  • Producing one hero video and nothing to test against it.
  • Leaving usage rights to be negotiated after the content exists.
Most foreign brands do not fail in Brazil because Brazilians did not want the product. They fail because nothing they showed looked like it was meant for anyone there.
Fonte: Simmark

A sensible way to start

A first 90 days that will teach you something

0/5

None of this requires a local office or a Brazilian entity to begin. It requires content made by people who live there, which is a smaller commitment than most teams assume and the one that changes the result most.

Common questions

It depends on how you sell and ship. For content, no: Simmark holds the relationship with the creator, including the paperwork on the Brazilian side. For fulfilment and tax, take local advice, because that answer changes by category.

Understandable, but noticeably foreign, in the way a British voiceover sounds in a US ad. For advertising in Brazil, use Brazilian Portuguese.

Enough to test properly. One video tells you nothing you can act on. Several angles from several creators will show you which promise the market responds to.

Usually yes, and it is one of the reasons UGC is cost-effective. Agree the usage rights up front so the same asset can legally do both jobs.

Content is the part we can solve today

Brief once and creators across Brazil film your product in Portuguese. Brands joining the waitlist before launch pay no platform fee until December 2026.

Join the waitlist

Keep reading

All posts